Пост N: 22147
Info: think for yourself, question authority
Отправлено: 13.02.13 05:27. Заголовок: Lots of noodles, just no dishes
цитата:
- The song “Dear Brother” is dedicated to several people who passed away, including the Beastie Boys’ Adam Yauch. Is that who you were thinking of?
- Well, you know the Beastie Boys gentleman, that was a sad day when I got that news. It also pays tribute to our friend Edward Willie, Jr. from Uncle Scratch’s Gospel Revival — they’re a band who opened up for us, out of Ohio in the area where I was born. And Ray Beckwith was an Australian winemaker, who, in a way, reinvented the wheel in winemaking. He discovered the relationship between pH and acid balance in wines. They really didn’t take Australian wine too seriously before him.
- What are your fondest memories of MCA?
- I actually never met him. I just really enjoyed the music. When their first record came out, I was definitely a fan. To watch them progress and evolve in the way that they did from their first album until their last, it was quite inspirational to watch their personal transformation. It’s very unfortunate he didn’t make it to the next level.
We are proud and excited to announce the imminent release of "Nothing's Matter", the complete and concise work of "M.T.Void" an experimental collaboration, of the sonic kind, between Justin Chancellor and Peter Mohamed (Piotr "Glaca" Mohammed from Sweet Noise)
TOOL will release a handcrafted, bonus-laden, limited edition package of their original debut EP, Opiate, on Mar. 26 to mark the 21st anniversary of the six-song release
The anniversary edition is limited to 5,000 copies and features art direction by Adam Jones, illustrations by legendary artist Adi Granov and design packaging by Mackie Osborne, who has collaborated with TOOL on many albums including 10,000 Days, Lateralus and Salival as well as posters and merchandise.
The 5,000 copies will be broken down as 5 x 1,000 runs with each set featuring a variation of the exterior graphics and included bonus items which include a new stereoscopic image for fans to use with their glasses from the 10,000 Days packaging.
The packages will only be available via TOOL's website (www.toolband.com) on Mar. 26 and there will be no pre-orders. A limit of three packages from each of the 5 x 1,000 versions will be in place. More details to be announced soon.
- You mentioned earlier that you guys are in writing mode. What’s the status of new Tool music?
- I guess you wouldn’t be doing your job if you didn’t ask. [Laughs] It’s unfortunate that we haven’t put anything out in a while, but you know, we’ve changed as a band. It’s just like a marriage—you grow older, people change, and you’ve gotta adapt or move on. We’ve become even more eclectic and distant, so getting things done and getting together is very hard. There are a lot of other interests. But what I really want people to know is that it’s not a bad thing. I’m serious. I think there’s a little more respect now, and when there’s compromise, it’s a little more open. I don’t know if that’s just a matter of getting older and going, “Ah, fuck it,” or what. [Laughs]
I’ve been with these guys a long time, and we’ve outlasted all of our peers. I mean, I try to think of the bands we came up with that haven’t broken up or broken up and gotten back together, and I can’t think of one band. OK, the Melvins. But that’s it. And we kind of set that up early by deciding that no matter who does what we’re gonna split everything four ways. Some decisions have to be unanimous. Others are put to a vote. We’re really involved in the business side. We write our own checks. But as far as the writing? It’s been a little more lax—as in relaxed. But it’s nice. We live kind of cushy lives now, so we get together when we want. It makes everything go slow, which is unfortunate—we all would have liked to have been done with a new record a long time ago—but when it’s done, it’s gonna be good. And that’s the point. We’re not gonna put out something that sucks just to put it out. We also had two really bad things happen, things that I’m not gonna get into, that set us back emotionally and mentally. But we’re past them now, everybody’s recovered, and that process has kind of actually added to us focusing on being creative. So maybe sometimes bad things happen for a reason.
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