Oh, this rain It will continue Through the morning As I'm listening
To the bells Of the cathedral I am thinking Of your voice...
And of the midnight picnic Once upon a time Before the rain began...
I finish up my coffee It's time to catch the train
Ziggy Pop
Пост N: 21070
Info: think for yourself, question authority
Отправлено: 28.09.12 12:55. Заголовок: pre-aenima era
Tool_12/15/1995_Ventura, CA, USA @ Ventura Theatre
цитата:
The performance is very tight & although the AEnima songs are still being polished -live- they are very interesting, at this stage. Low crowd noise & virtually n one sound from the taper. I've read that some traders give this recording a rating between 8-9. Maynard seems to be in a decent mood and the band is playing as best they can. Adam, however, seems to be only slightly off key a couple times. But, that is just being picky. It would be nice if more recordings from '95 surface as the energy seems to be a little bit different. Like, Tool is in the transition stage from playing smaller venues to larger ones, once AEnima is released. The performance gives the listener a hint of what the future will hold. For those that man simply enjoy listening to the birth of the AEnima era, then this recording will hit nicely with what your tastes are.
maynardism: "We would like to introduce a new person, Justin Chancellor"
Пост N: 21072
Info: think for yourself, question authority
Отправлено: 28.09.12 13:17. Заголовок: новый кавер
Mark Lanegan - "Same Old Man"
цитата:
Celebrating Light In The Attic’s 10 year anniversary in 2012, we are releasing a series of very special colored vinyl 7”s and digital downloads. The series features contemporary artists covering a track reissued by Light In The Attic on the A-side, plus the original version on the B-side.
On this release, Screaming Trees man Mark Lanegan applies his tobacco-flavored tones to ‘Same Old Man’, a traditional made famous by the haunting New York singer-songwriter Karen Dalton. What Dalton achieves with the traditional instruments of America (notably her celebrated banjo) in her 1971 arrangement, Lanegan re-imagines with strings, droning Indian tones, sitars and sub-continent-sized production.
A side is produced by Alain Johannes and recorded at 11 AD, Los Angeles, CA, July 2012. B side features the original Karen Dalton version as remastered by Dave Cooley for our reissue of her “I’m My Own Time” album from 1971
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